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Blow Out

Blow Out
I’m completely looking forward to this summer. I’ve got a lot of great new photographic toys tools that’ll help me get some unique shots that, I hope, will be good too. I’m likely to make many more mistakes than I am to make portfolio pieces, but I’m going to have a blast making every screwed up frame I can.

Get Over It

Get Over It
I spend most of my time working in a “professional” environment and while I can, contrary to popular opinion, act the part – I often choose not to. Why? Life’s too fucking short.

If I can do a good job, a great job even, and have some fun in the process what’s the problem? I’m not even talking Don Draper, Mad Men, kinda fun, I’m just saying let out a cuss word every so often, wear jeans to work, and maybe even tap someone on the ass. WHAT!? Sexist? What if they tapped me first?

I’m not actually saying any of this is (or isn’t) going on at my work, but take it and apply it to other situations, events, parties, coffee, home, whatever… I tend to not define my life by the various social circles I’m around at a given time. I’m pretty much the same guy at a $300,000 fundraiser as I am at Pub Italia at 10 – dressed differently and likely more drunk at the other – but I’ve come out of these with some pretty strong relationships. I think people appreciate a bit of honesty in someone, something genuine when all the fake bullshit is out there and it’s easy to see but nobody calls anyone on it.

Let’s be clear, though, I can still be a douche, a photo-douche (#phodo) if you will, but when I’m not, when there’s no weird or lame wall up – let it be man – I’m actually being myself for once. Try it.

Adopted 2010

Adopted 2010
Been a crazy past few weeks, no time to post, barely time to turn on the computer, and even less time to photograph.

This is one of the final selects from the shoot I did with Cheetah of The Adopted. I’ve worked with him before, along with guys from the band, here, and they were actually my first commercial client after moving to Ottawa a few years ago. I’d like to say I wowed them with my portfolio, but really it was a matter of desperation – they need a photo, I had a camera, mutual friend.

It wasn’t knowing the same person that keeps us working together though. I think I try and expand my creative vision for each shoot, while making the band more comfortable with me as a photographer each time. It’s not something you get to do all the time, work with the same client, but when you do it helps with a good chunk of time you’d usually take to get to know each other, to get comfortable with each other.

The relationship I’ve built over the years has helped them get better shots out of me, and in return, I get a great client that I get to work with again and again.

Slowin Down

Slowin Down
Last week was busy, for me, this week is far, far busier. With no sign of slowin’ down.

Sorry for the lack of posts kids – TTYL.

Rob Sykes

Rob Sykes
Sometimes, in order to get the eyes in focus, they’re all I shoot.